Activities

30 Luglio 2024 : conferenza di Francesco Zimei

La lauda specchio dell’esperienza popolare: il ms. Western 84 della Columbia University Library di New York ore 15,00 – Centro Studi Adolfo Broegg nell’ambito del 15° Corso Internazionale di Musica Medievale Francesco Zimei, ordinario di Musicologia e Storia della Musica all’Università di Trento e vincitoredi un ERC Advanced grant sulla lauda, è uno studioso sensibile alla restituzione delle fonti musicali al loro contesto originario e… Read More »30 Luglio 2024 : conferenza di Francesco Zimei

Enea Sorini

Born in Urbino (Italy) in 1975, ENEA SORINI studied in Pesaro, where he achieves the II° level degree in Baroque Singing; in the meanwhile he attended singing masterclass by Gloria Banditelli and Claudio Cavina. He collaborates, as singer and percussionist, mostly with the ensemble of ancient music Micrologus and with Les Musiciens de Saint Julien, La Morra, Pera Ensemble, which he performs in the most… Read More »Enea Sorini

Music at the court of Federico da Montefeltro

For its thirteenth year, the International Course in 2022 will be dedicated to Music at the court of Federico da Montefeltro on the anniversary 600 years after his birth [7 June 1422, Gubbio]. The future Duke of Urbino will be remembered for being the prince who, inspired by the Muses, excelled in all the arts, from the military ones to the much more refined: letters,… Read More »Music at the court of Federico da Montefeltro

Masterclass: Instrumental reductions of polyphonic models from the fifteenth century

with Félix Verry Participants:Medieval fiddle students, other instrumentalists, singers Musicological discussions are beginning to consider that the function of bowed stringed instruments in the middle ages was not limited to isolated ‘melodies’, and their practices probably did not include playing a single voice from polyphonic vocal repertoires. While one certain function of the viella  was to accompany the voice with drone and ‘chordal’ sounds, there remains… Read More »Masterclass: Instrumental reductions of polyphonic models from the fifteenth century

LABORATORIO con Gabriele Russo

LABORATORIO: LE MUSICHE DEL NATALEPastorali e novene per ogni sorta di strumento (in tonalità di SOL)Docente: Gabriele Russo 4 e 5 gennaio 2022 4 gennaio Ore 15,30-18,00 – Auditorium del Centro Studi “Adolfo Broegg”5 gennaio Ore 10,30-13,00 – Auditorium del Centro Studi “Adolfo Broegg” Le musiche preparate al Laboratorio verranno eseguite nel pomeriggio a “ZAMPOGNE & LENTICCHIE” Costo partecipazione : 25€ Per STAGE e LABORATORI… Read More »LABORATORIO con Gabriele Russo

STAGE con Nando Citarella

STAGE DI CANTO/TAMBURODocente: Nando Citarella “A FIOR DI PELLE” OVVERO IL CANTARE SUL TAMBURO 5 gennaio 2022Ore 10,00-12,00 – Sala dell’Editto, Palazzo Comunale Costo partecipazione : 25€ CHIUSURA ISCRIZIONI: 23 dicembre (dopo questa data sarà da verificare la possibilità di partecipare alle iniziative richieste)Info e iscrizioni: 3488722314 e-mail gabrielerusso59@gmail.com BIO https://www.nandocitarella.it/biografia.html

“Awakening sleeping instruments”

International Fiddle Symposium From thr 31th July to the 1st August 2021, Spello (Italy) Organized by Micrologus-Centro Studi “Adolfo Broegg” in collaboration with Labyrinth Italia It will take place in Spello the next 31th of July to the 1st of August 2021 during the last days of the International Medieval Music Course. Two days of Lectures and Performances, with: – Marie Virginie Cambriels – Manuel… Read More »“Awakening sleeping instruments”

”The Music and the Istruments of the Middle Ages”

CONCERT-LESSON OF MEDIEVAL MUSIC with PROJECTION OF IMAGES for Schools and Tourist Groups A concert of medieval music, with a thorough explanation of the musical instruments, faithful reconstructions of those of the period. And a presentation of the PERMANENT EXHIBITION of “LUTES & STRING INSTRUMENTS FROM THE MIDDLE AGES TO OUR DAYS” (collection Broegg). There are 20 different plucked string instruments (lutes, guinterne, guitars, bouzouki),… Read More »”The Music and the Istruments of the Middle Ages”