Organized by the Associazione Musicale Micrologus and the Centro Studi Europeo di Musica Medievale Adolfo Broegg.
The Course is divided into two levels:
(higher technical level), mainly dedicated to the theme in the program: Music at the Corte dei Montefeltro.
(for everyone), in which it is possible to study, in addition to the selected music, even the repertoire of your choice.
As a tribute to the centenary of Federico’s birth (1422-1482), the main theme that will be explored this year is Music at the Court of Montefeltro.
Among the composers will study works by Dufay, Binchois, Ciconia, and the music for dances of the Fifteenth century by Guglielmo Ebreo da Pesaro.
More informations: https://centrostudiadolfobroegg.it/en/music-at-the-court-of-federico-da-montefeltro/
Singing: Patrizia Bovi
Wind instruments (pipe & tabor, flutes, bagpipes): Goffredo Degli Esposti
Fiddle/ Rebec: Gabriele Russo
Wind instruments ensemble /Alta cappella – Ian Harrison
Lute, guittern and oud (Europe – Middle East): Peppe Frana
Hurdy-gurdy / Symphonia: Giordano Ceccotti
Percussion / Dulcimer: Enea Sorini
Historical Dances*: Veronique Daniels
LESSONS are INDIVIDUAL, and concern both technique and interpretation within historical performance practice. Lessons are open to auditors
*Historical dance teaching will be given as GROUP LESSONS
9.30 a.m.-1.00 p.m. LESSONS and HISTORICAL DANCES
1:00-3:00 p.m.: LUNCH BREAK
3:00-4:45 p.m.: WORKSHOPS A and MASTERCLASS Instrumental reductions of polyphonic models from the fifteenth century
5:15-7:00 p.m.: WORKSHOPS B and MASTERCLASS Super librum at the Court of Montefeltro
EVENING – (program in preparation)
ONLY FOR MONDAY 1 August
10:00 a.m. to 1:00 p.m.: registration and payment
3:30-7:30 p.m.: Main Courses, Workshops and MASTERCLASSES
August 6: FINAL CONCERT by the students
with Crawford Young
for singers and instrumentalists
Basic rules for making polyphonic music, using material from a songbook owned by the Montefeltre, MS Biblioteca Apostolica Vaticana, Urb. lat. 1411, will be studied. As examples we will use the tenor parts of songs such as La dolce vista, Vostre tres doulx regart playsant and Filles a marier to work on composition and improvisation, both contrapunctus simplex and diminutus.
with Félix Verry
for Medieval fiddle students, other instrumentalists, Singers
CHANT AT MONTEFELTRO COURT B – Andres Montilla Acurero
ENSEMBLE FOR WINDS AND PERCUSSIONS A – Goffredo Degli Esposti/Ian Harrison/Enea Sorini
ENSEMBLE CLASS FOR SMALL GROUPS (beginners) A – Gabriele Russo/Goffredo Degli Esposti
ENSEMBLE CLASS FOR SMALL GROUPS (advanced) A – Peppe Frana
HISTORICAL DANCES B – Veronique Daniels
STRING INSTRUMENT MAINTENANCE B (Friday afternoon only) -Giordano Ceccotti
Aim: Explore the sound of Chant/liturgical Monody that could be heared and sung by Duke Federico during services at the Court Chapel in Urbino. The final aim is to study and -especially- sing artistically a less performed repertoire in modern times.
Planning: An analysis on how to perform of chosen pieces from a 15th century Chant Codex still preserved in Urbino. If requied this laboratory could also be split into two different levels according to previous knowledge and/or personal interest:
1° Level
syllabic or semi-ornated style | Schola chants (Antiphons, Introits, Communions)
2° Level
ornated style | Soloist chants (Resposory-Graduals, Tractus, Alleluja, Offertory)
Working material: working on facsimile is preferable, but transcriptions will be also available for first approachings and easier performing. A secondary bibliography will be also available for every topic.
August 1st, 3.30 pm – Felix Verry: introductory lecture
2 August, 7.30 pm – Nicoletta Guidobaldi: “Musica e danza alla corte di Federico da Montefeltro”
5 August, 7.30 pm – Crawford Young: “Re-Awakening Mercury’s Cithara – A closer look at Federico’s Cetra”
Courses of Singing, Strings (Viella and Ribeca), Lute, Wind instruments, Hurdy-gurdy (historical and traditional), medieval percussions and Dulcimer
With scholars and musicologists who will study the different aspects of the music of the Medieval period
with Veronique Daniels : Balli and Bassedanze from Guglielmo Ebreo da Pesaro
STUDENT FEE*:
Singing/Instrument/Masterclass: 350 €
HISTORICAL DANCE*: 230€
*Fee includes LESSONS, WORKSHOPS, LUNCH
2° COURSE FREQUENCY:
Singing/Instrument/Masterclass: 250 €
HISTORICAL DANCE: 80€
WORKSHOPS ONLY:
Singing/Instrument: 180 €
HISTORICAL DANCE: 100€
ENSEMBLE FEE* (minimum 3 members):
Singing/Instrument/Masterclass: 280€
HISTORICAL DANCE*: 180€ (minimum 6 members)
*Fee includes LESSONS, WORKSHOPS, LUNCH*
2° COURSE FREQUENCY FOR ENSEMBLE:
Singing/Instrument course: 230 €
HISTORICAL DANCE: 70€
WORKSHOPS ONLY FOR ENSEMBLE:
Singing/Instrument: 170 €
HISTORICAL DANCE: 80€
DEADLINE: June 30
We kindly ask the students to send an advance of €. 100 from 1st to 10th July to finalize the application.
After this date will be still possible to apply with an additional fee of 40€.
Here is the APPLICATION FORM 2022 to fill out and, please, send a email to stefania.shine@gmail.com
APPLICATION FORM
Name:
Surname:
Date and place of birth:
Address:
City:
Postal code:
Phone:
Mobile:
e-mail:
Applications to the Course:
Level: beginner advanced
Instrument played and preferred tuning:
Practical vocal or instrumental since:
at:
Knowledge of voice / instrument (specify diploma conservatory, regular school attendance courses, private education, autodidact):
Teachers had:
Other musical knowledge:
It allows the processing of personal data in accordance with standards Decree No. 196/2003.
Date:
Signature:
Please send the application form at: stefania.shine@gmail.com
